How to write a short story

This is the second of twenty-five blog posts to celebrate my twenty-fifth published novel, A Skye Full of Stars. Expect writing tips, insights into my process as an author, and some festive content!

I’ve written a lot of short stories. I’d sold 87 and a serial before I ever sold a novel, and I stopped counting sales when I passed 150. I edited two short story anthologies for the Romantic Novelists’ Association, and I’ve led many short story workshops. During this process I’ve distilled my short story ‘recipe’.

  • In the Encyclopedia Britannica, a short story is defined as concerning a single episode. The simplest way of observing the single-episode structure is to write about one conflict or puzzle.
  • I decide on the conflict or puzzle I’m going to write about.
  • I decide whose conflict/puzzle it is. 
  • That person will be my central character, i.e I’m writing their story.
  • I give the central character the viewpoint.
  • I begin at a point of change or significance and plunge into the story.
  • I make the central character work out how to solve the conflict/puzzle herself or himself.
  • This is via a pivotal moment (which you might prefer to think of as a turning point or the key).
  • This triggers the resolution.
  • Finally, rather than ‘ending’, I think of it as a ‘conclusion’.

Before I begin I express my idea in three points. Either

  1. Conflict 
  2. Pivotal moment 
  3. Resolution. 

Or:

  1. Puzzle 
  2. Key 
  3. Revelation.

I think carefully in commercial terms. Is the conflict correct for the genre and the magazine or anthology I’m writing for? Are the characters? The ending? If I’m writing a short story as a promotional tool for my novels, is it in the same vein and voice?

Nowadays, I write only a few short stories each year, but that’s more about lack of time than lack of inclination. Short stories have a lovely ‘pure story’ feel to writing them.

This isn’t something I did much, to be honest, but I know a lot of people met success and reward via competitions. However, I was the head fiction judge at Writers’ Forum for five years and when asked for my tips for entrants would say:

  • Follow the rules. This sounds obvious but it’s amazing how often I’d receive 5000 words when there was a 3000-word maximum.
  • Write the type of story the judges are looking for. At Writers’ Forum it was all about story (probably because I was the judge) but I also judged competitions for Writing Magazine and for various other organisations. In that time, I received what amounted to essays on a subject or theme or the first chapter of a novel and stories that were nothing to do with the stated subject or title.
  • Make your work stand out. I once had to read about 200 stories concerning Emily visiting the Falkland Islands. You’ve no idea how I appreciated those with an original approach. In about 160 of them poor Emily was visiting in memory of her lost love or family member. Whilst I had every sympathy for her it became hard to feel enthused.
  • Submit in time for the deadline, if there is one.
  • Send the correct fee, if there is one.
  • Don’t attach a discourteous note to the judge. (Yes, seriously, this happens.)
  • Don’t attach a discourteous note to the organizer or publication. (Ditto.)
  • Write a fantastic first page, the best you possibly can. When you’re up against maybe a hundred other stories you don’t want to make it easy for the judge to put your story down.

Good luck, and happy writing!



A reader review for A Skye Full of Stars

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